16th Mar, 2024 9:30 GMT/BST

British, European & Sporting Art

 
  Lot 1072
 

1072

Attributed to John Samuel Raven (1775-1847)
"A Scurry"
Oil on panel, 18.5cm by 91cm

Provenance: Arthur Ackermann & Son, Ltd. London

Sold for £900
Estimated at £250 - £400


 

One panel, chamfered on all sides, and with one hole in centre of panel (see images). The panel is loose in the frame which has caused minor abrasion of the surface layers at the edges. No splits visible, and a flat even profile.

There is a fine scale craquelure to the thicker passages of the sky largely in the central portion of the painting and above the trees. All flat and secure with no apparent history of flaking.

There are several scattered losses 0.5 to 1cm in the sky, filled with a slighly yellow material and then retouched (retouching slighly discoloured).

There has been a history of abrasion/wear to upper paint layers throughout, with associated retouching and reinforcing (see images). The retouching is slighly opaque and discoloured in places. For example in the sky, the dark underlayers are showing through, which have been partially supressed with small brushstrokes. See also the bay horse which has been reinforced, and around the head of the largest grey horse (see images). The darker areas have had the upper layers worn too, leaving a slighly mottled appearance. There are bands of retouching at each side of the panel.

There is are tiny scattered matt drips, but largely a good even varnish. The trees on the left look slightly milky, possibly residue of an earlier varnish.

Examined in frame

Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A... Lot 1072 - Attributed to John Samuel Raven (1775-1847) "A...

 


We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.

Auction: British, European & Sporting Art, 16th Mar, 2024

Coming up for auction this Spring are three notable works by Adolphe Valette (1876-1942), a French Impressionist artist who spent the majority of his career in the North of England. Whilst he is best remembered today as being the highly influential tutor to L.S. Lowry, Valette created a significant body of work in oils, watercolours and drawing media. All three works are sold with provenance from The Perera Collection, the largest collection of works by Valette to have been assembled in private hands.

Further notable works in the sale include an exquisitely detailed still life of a peach, black grapes and cobnuts on a marble shelf by Emilie Preyer (1849-1930), and a work by historical genre painter Edward Matthew Ward (1816-1879) that depicts the hero of a popular comic ballad, John Gilpin.

The sale will also see the final part of the Raymond Booth Studio, comprising 19 works. Raymond Booth (1929-2015) was perhaps the greatest botanical artist and illustrator of his generation, and his passion for the natural world shines through in his highly detailed oil studies of flora and fauna.

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Sunday 10 March - Friday 15 March 11am-4pm, and morning of sale from 8am

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