16th Mar, 2024 9:30 GMT/BST

British, European & Sporting Art

 
  Lot 1076
 

1076

Benjamin Cam Norton (1835-1900)
Adam and Amy Agnes Dugdale in Griffin Park, Blackburn, Lancashire, with St. Philip's church in the background
Signed and dated 1874, oil on canvas, 82.5cm by 110cm

Provenance: Dutton Manor, Lancashire

Sold for £3,500
Estimated at £700 - £1,000


 

Unlined canvas, with minor damage to the tacking margins at the reverse. Two keys missing, and rather lacking in tension. There are distortions/draws at all corners, most notably the top, extending towards the centre of the painting and further smaller scale undulations to the canvas (see images in reflected light).


There is brittle age craquelure throughout, with the larger scale cracking only very slightly raised and all appears stable. There is also finer scale craquelure in small passages, which is slightly tighter and sharper and in places the varnish has cracked an whitened. These too, appear to be largely stable. There are some slightly wider cracks, some of which have been suppressed by a little retouching, most notably in the top left corner (see images). The are less visable. Some impact cracks in places, which have slightly whitened varnish.


Scattered small white losses, including some minor losses associated with the frame rebate. There has been some paint from paint flaking in the red jacket of the groom at the right (see image). The faces of the lady and gent have small dark dots, it is unclear of their origins.


There are dark, spotty small matt acretions throughout, two white splashes to the sky at the left and possibly larger drip mark under the gentleman (see image)


Overall a fairly dark tonality, with old dirt and discoloured varnish which has a slighly uneven surface gloss in reflected light.

The slip is loose in the frame, with a gap to the right.


Examined in frame.

Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy... Lot 1076 - Benjamin Cam Norton (1835-1900) Adam and Amy...

 


We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.

Auction: British, European & Sporting Art, 16th Mar, 2024

Coming up for auction this Spring are three notable works by Adolphe Valette (1876-1942), a French Impressionist artist who spent the majority of his career in the North of England. Whilst he is best remembered today as being the highly influential tutor to L.S. Lowry, Valette created a significant body of work in oils, watercolours and drawing media. All three works are sold with provenance from The Perera Collection, the largest collection of works by Valette to have been assembled in private hands.

Further notable works in the sale include an exquisitely detailed still life of a peach, black grapes and cobnuts on a marble shelf by Emilie Preyer (1849-1930), and a work by historical genre painter Edward Matthew Ward (1816-1879) that depicts the hero of a popular comic ballad, John Gilpin.

The sale will also see the final part of the Raymond Booth Studio, comprising 19 works. Raymond Booth (1929-2015) was perhaps the greatest botanical artist and illustrator of his generation, and his passion for the natural world shines through in his highly detailed oil studies of flora and fauna.

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Sunday 10 March - Friday 15 March 11am-4pm, and morning of sale from 8am

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