A lining from the second half of the 20th century, with stretcher dating from the same time with all keys present. The canvas visible at the back of the painting is loose, and does not appear to have been impregnated with adhesive. A possible secondary / half lining? The original tacking margins present on all sides, and the canvas is fairly rigid but undulating and not taught/supported.

There is a widespread large scale brittle age craquelure and impact craquelure throughout, along with linear cracking associated with the stretcher bar. Much of this is slightly raised, especially in the face and left background. A few scattered lifting corners but the vast majority appears secure. A few tiny pinpoint losses associated with the cracking.

There is a campaign of slighly matt, murky retouching to the top edge where the original ground is exposed, to minor looses along the edges and scattered minor losses across the painting. Some retouching, too, to gold paint/leaf on the surface. There is the same matt retouching in long brushstrokes to the hair and long curls.

There has been some abrasion to the mid-tones and glazes to the face and hair.

Old ingrained dirt and varnish is visible in the troughs of the brushstrokes apparent in the lighter passages, and remnants of old varnish has been left on in the background which obscures enough to not be able to see if there is an older campaign of retouching here.

There is a thick layer of surface dirt and debris over a fairly glossy varnish, with some more recent abrasions to the varnish from movement in the frame at the edges

Examined in frame

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