16th Mar, 2024 9:30 GMT/BST

British, European & Sporting Art

 
  Lot 1159
 

1159

Follower of Sir Thomas Gainsborough RA, FRSA (1727-1788)
Portrait of a lady, three-quarter length seated, wearing a brimmed hat, a pink dress and a fur stole and muff, a veiw of a landscape at sunset beyond
Oil on canvas, 110cm by 85.5cm

Sold for £750
Estimated at £700 - £1,000


 

Lined, original tacking margins removed as can be seen where exposed at the top, right and bottom edge from the face. One key missing, lacking in tension, minor splits to corners of lining canvas. Some slight pressing of impasto from lining process.


A finescale brittle age craquelure throughout, all stable and no elevation. Most apparent in the paler passages, flesh, drapery, hair. Some passages of cracking slighly opened, possibly drying cracks. One minor unrestored loss to the original edge a the upper right edge, an approx. 3inch scuff to the bottom of the fur stole, a small white loss to the bottom edge, a 1cm loss to the back of the neck and a tiny loss in the hair (all unrestored).


There ia very thick old very discoloured varnish layer, which has degraded and broken up. It has flaked off in small patches throughout, and scatters the light making it very difficult to see what condition the original paint is in underneath, particularly in the darkest passages. The flaking yellowed varnish has left the paler passages with a mottled appearance, and the darks fairly obscured. It is likely that there are some further minor losses and possibly some abrasion in the dark areas. There has been some abrasion in the lighter passages, particularly to the curls of the hair, and the hand. There is no restoration visible on top of the thick old varnish, and it is not possible to see if it lies over an older campaign of restoration. However, the surface doesn't suggest that there has been a history of flaking or loss. Possibly some minor reinforcing in the hair.


The surface has an fairly uneven surface gloss, and there might be an upper varnish layer on top of the broken up one, and a layer of dirt, dust and cobwebs.


 

Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA... Lot 1159 - Follower of Sir Thomas Gainsborough RA, FRSA...

 


We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.

Auction: British, European & Sporting Art, 16th Mar, 2024

Coming up for auction this Spring are three notable works by Adolphe Valette (1876-1942), a French Impressionist artist who spent the majority of his career in the North of England. Whilst he is best remembered today as being the highly influential tutor to L.S. Lowry, Valette created a significant body of work in oils, watercolours and drawing media. All three works are sold with provenance from The Perera Collection, the largest collection of works by Valette to have been assembled in private hands.

Further notable works in the sale include an exquisitely detailed still life of a peach, black grapes and cobnuts on a marble shelf by Emilie Preyer (1849-1930), and a work by historical genre painter Edward Matthew Ward (1816-1879) that depicts the hero of a popular comic ballad, John Gilpin.

The sale will also see the final part of the Raymond Booth Studio, comprising 19 works. Raymond Booth (1929-2015) was perhaps the greatest botanical artist and illustrator of his generation, and his passion for the natural world shines through in his highly detailed oil studies of flora and fauna.

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Sunday 10 March - Friday 15 March 11am-4pm, and morning of sale from 8am

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