16th Mar, 2024 9:30 GMT/BST

British, European & Sporting Art

 
  Lot 1165
 

1165

Attributed Richard Buckner (1812-1883)
Portrait of General Sir Patrick Grant of Tullochgorm, three-quarter length standing in a landscape, in his full military attire and regalia
Oil on canvas, 141cm by 110cm

Sir Patrick Grant was Governor of Malta 1867-1872

Sold for £1,900
Estimated at £1,000 - £1,500


 

Lined, original tacking margins removed. All keys present, slightly lacking in tension. A slight lumpy surface to the canvas visible in reflected light (see images) possibly from the lining process. The painting is loose in the frame, and all original edges are visible, revealing scuffs and losses (both restored and unrestored) at all edges.

There is a largescale brittle age craquelure in passages, mostly present as long diagonal cracks particularly to the sky either side of the head, and in the red sash. These are only slightly raised, and all appear secure (see images in reflected light).

One indentation approx 3cm diameter from an impact to the left of the shoulder, which has cracked the varnish. There are a few scattered larger losses in the sky, with filling and slightly discoloured overpaint, and scattered small, minor unrestored losses (see images). Possibly some minor abrasion/wear in the beard with associated retouching. Due to the opaque varnish, it is difficult to see the darker passages of the sky.

The paint layers of the bottom of the red sash have sustained some damage possibly from liquid. Darker disrupted spots sit above the belt, and flaking of the upper paint layers in vertical bands below the belt. There are futher white drip marks in the varnish that run to the bottom of the painting (see images). This damage has not been restored.

There is a patch, uneven surface gloss (see images in reflected light), with the upper varnish layer partially broken up becoming opaque and whitish in places, following largescale brushstrokes presumeably from the application of the varnish by brush.

There are scattered further drip marks particularly to the bottom portion of the painting, tiny white flecks to a patch of the sky top left, tiny black deposits on the face (see images), and a layer of surface dust and dirt and a scattering of cobwebs.

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We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.

Auction: British, European & Sporting Art, 16th Mar, 2024

Coming up for auction this Spring are three notable works by Adolphe Valette (1876-1942), a French Impressionist artist who spent the majority of his career in the North of England. Whilst he is best remembered today as being the highly influential tutor to L.S. Lowry, Valette created a significant body of work in oils, watercolours and drawing media. All three works are sold with provenance from The Perera Collection, the largest collection of works by Valette to have been assembled in private hands.

Further notable works in the sale include an exquisitely detailed still life of a peach, black grapes and cobnuts on a marble shelf by Emilie Preyer (1849-1930), and a work by historical genre painter Edward Matthew Ward (1816-1879) that depicts the hero of a popular comic ballad, John Gilpin.

The sale will also see the final part of the Raymond Booth Studio, comprising 19 works. Raymond Booth (1929-2015) was perhaps the greatest botanical artist and illustrator of his generation, and his passion for the natural world shines through in his highly detailed oil studies of flora and fauna.

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Sunday 10 March - Friday 15 March 11am-4pm, and morning of sale from 8am

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