16th Mar, 2024 9:30 GMT/BST

British, European & Sporting Art

 
  Lot 1169
 

1169

Attributed to Benjamin Cam Norton (1835-1900)
Portrait of a gentleman seated in his library, wearing a black suit, with his attendant dogs
Oil on canvas, 140cm by 111cm

Sold for £750
Estimated at £700 - £1,000


 

An unusual partial / supporting lining, with the original canvas restretched over a thin white cotton material but not adhered. There is an old repaired split to the centre of the cross members. All keys present, slighly slack tension on the canvas.

There are raised stretcher bar marks in passages, particularly at the top horizontal member, the top of the vertical cross member, and the bottom of the horizontal cross member (see images in reflected light). There is some minor brittle age craquelure, particularly associated with the corners and some minor impact cracks in places. Some slighly cupped/raised but all stable and not history of flaking. A few minor passages of drying cracks/aligatoring in the black of the dog's head.

There are scattered tiny unrestored losses, and a few scattered retouched and partially retouched tiny losses particularly at the top of the painting.

There is a patch of abrasion revealing white underpaint above the spaniel's left paw (see images), and some further light abrasion to the it's paw.

The picture has been partially cleaned to remove old yellowed varnish in the face, and lighter passages of the drapery and fur. The thick old yellowed and slighly opaque varnish has been left on in the rest of the painting, now visible in certain lights as slighly streaky in the background (see images). There is a fairly even upper varnish and surface gloss, with slighly shiny pools of varnish in the top right edge. There are minor scuffs/abrasion/gold residue from frame at the left edge, and a layer of surface dirt/dust.

Examined in frame.

There are scattered tiny white drips/spots, small yellow patches.

Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)... Lot 1169 - Attributed to Benjamin Cam Norton (1835-1900)...

 


We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.

Auction: British, European & Sporting Art, 16th Mar, 2024

Coming up for auction this Spring are three notable works by Adolphe Valette (1876-1942), a French Impressionist artist who spent the majority of his career in the North of England. Whilst he is best remembered today as being the highly influential tutor to L.S. Lowry, Valette created a significant body of work in oils, watercolours and drawing media. All three works are sold with provenance from The Perera Collection, the largest collection of works by Valette to have been assembled in private hands.

Further notable works in the sale include an exquisitely detailed still life of a peach, black grapes and cobnuts on a marble shelf by Emilie Preyer (1849-1930), and a work by historical genre painter Edward Matthew Ward (1816-1879) that depicts the hero of a popular comic ballad, John Gilpin.

The sale will also see the final part of the Raymond Booth Studio, comprising 19 works. Raymond Booth (1929-2015) was perhaps the greatest botanical artist and illustrator of his generation, and his passion for the natural world shines through in his highly detailed oil studies of flora and fauna.

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Sunday 10 March - Friday 15 March 11am-4pm, and morning of sale from 8am

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