15th Jul, 2023 11:00 GMT/BST

British, European & Sporting Art

 
  Lot 1189
 

1189

Charles Compton (1828-1884)

"The First Parting"

Signed and dated March 1853 ? oil on canvas, 67cm by 84.5cm

Provenance: Anonymous sale details in chalk to reverse 20-3-79, Lot 185

Not Sold

 

In fully restored condition, relined, cleaned and re-varnished. Consistent amount of mold spots to reverse of canvas. The surface is slightly flattened, paint thin in places as a result of the restoration process. Areas of varying-sized stable cracquelure which is more pronounced in certain positions such as the upper part of the elegant lady's overcoat. Some light surface dirt and discoloured varnish now in evidence. The entire background has been comprehensively retouched and overpainted. The back of the seated gentlemen's hair on the left-hand side has been strengthened and over painted which extends along the collar and shoulder. More minor retouches to his face, his left-hand side lapelle, lower sleeve and much of the lower half of his cream-coloured overcoat has also been strengthened. Fairly consistent retouching throughout the face and attire of the gentlemen wearing the black suit and white shirt. A similar level of intervention has been applied to the standing serving woman. More delicate retouches presumably to old paint and cracquelure across the body and costume of the standing boy and to a minor extent through the lower blue skirts of the lady positioned on the right. Further isolated areas of retouches can be found vertically arranged within the red fabric below the central gentleman's outretched hand, consistently across the upturned top-hat and the outer and upper right edges of the right book. Further consitent retouching and overpainting to the wooden element of the armchair featured on the left, to a lesser extent across the chair and full area of retouching and strengthening across a large part of the globe situated towards the lower left corner. Some of the decorative quatrefoils within the carpet of the foreground has also received elements of strengthening and retouching etc. For more information please contact the department.

 


We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.

Auction: British, European & Sporting Art, 15th Jul, 2023

The British, European and Sporting Art Sale at Tennants Auctioneers will see a fine equestrian portrait of ‘Lady Caroline Held by a Groom, Newmarket’ attributed to Thomas Spencer (1700-1763) go under the hammer. It will be joined by notable lots from the Estate of Martin & Felicity Mackintosh of Harrogate, including a rich and plentiful still life of game, fruit and flowers by Hendrik Reekers (1815-1854), and further works by the likes of Ford Madox Brown and William Holman Hunt from the Estate of the late Ian Stephenson of Laithes, Penrith, Cumbria. Other notable lots include Montague Dawson's “HMS Amethyst running the Yangtse Gauntlet, 30th July 1949”. 

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Sunday 9 July to Friday 14 July 11am-4pm and morning of sale from 8am

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