24th May, 2024 10:30 GMT/BST
Fashion, Costume and Textiles
2032
Assorted Mainly Red Wool Fabric Lengths, comprising a Trefriw Woollen Mills purple herringbone skirt length in purple tweed 80cm by 150cm wool, 68cm black lining fabric and a black zip,
a length of orange, blue and brown checked wool with attached Harris Tweed label, 72cm by 83cm,
a length of black and white wool blend fabric, bearing paper label for Seidra Austria, 156cm by 204cm,
a length of bright red fabric with 'Superfine Worsted Gaberdine Made In England' woven into the selvedge, 155cm by 234cm,
and 19 other lengths in a variety of designs and sizes (see condition report for details),
(23 lengths - one box)
£150 - £250
Buyer's premium: 24.00%
a length of brown, black and cream checked fabric, 152cm by 198cm,
a length of red and grey striped wool, 164cm by 75cm,
a length of red checked terry cloth type fabric, 92cm by 164cm,
a length of grey and red checked fabric, 152cm by 166cm,
a length of green, orange, blue and purple, 154cm,
a length of red and grey checked fabric, 158cm by 96cm,
a length of brown, red and purple checked fabric, 150cm by 83cm,
a length of grey and red checked fabric, 142cm by 184cm,
a length of red, brown and white checked fabric, 88cm by 74cm,
a length of navy and cream fabric, 138cm by 286cm,
a length of blue and black dogstooth fabric, 163cm by 314cm,
a length of herringbone fabric printed with a floral pattern, 264cm by 148cm,
a lenght of red and brown striped fabric, 190cm by 144cm,
a length of red and brown checked fabric, 139cm by 156cm,
a length of red tonal striped fabric, 154cm by 166cm
a length of bright red fabric, 152cm by 242cm,
a length of deep red fabric, 158cm by 120cm,
a length of burgundy fabric, 154cm by 100cm,
a length of purple fabric, 156cm by 97cm,
We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.
Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.
We accept no liability for the opinions expressed in any Condition Report.
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Auction: Fashion, Costume and Textiles, 24th May, 2024
Highlights include the wardrobe and collection of a lady from Bath, who was an art student in the 1960/70s comprising clothing by Anokhi, Biba, Ginger, and the costume collection of 1920s and 1930s evening wear. Other items include two Ossie Clark dresses, mid-century 20th century cotton day dresses, suits, evening wear and accessories. This continues with fabrics and curtains designed by Hans Juda for Heals, David Whitehead curtains and Liberty fabric lengths. The sale also includes a Private Collection of Vivienne Westwood Costume and Accessories, a 19th century Bristol Orphanage Sampler, and a Georgian darning sampler, a collection of decorative American quilts, Chinese vestments, other eastern textiles and more.
Lots 2000 to 2020: Items from Dutton Manor, Lancashire
Lots 2215 to 2237:Geraldine Wynn Marchand Fashion Student and Private Collector, Bath
Geraldine Wynn Marchand worked at the Bath Fashion Museum for over 25 years, working as Head Guide, and lecturing on the history of costume to a wide variety of organisations. Her experience in the Museum prompted her MPhil on textile printing in 1993 and thesis on the development of the handkerchief, which featured on BBC Radio 4’s Women’s Hour in the 1990s. Her passion for clothes and accessories, from antique hatpins to geometric dresses, has spanned a lifetime.
Born in Llandrindod Wells in 1939, after studying ceramics in Tehran, and qualifying as an art teacher at Hornsey School of Art in London, she became based in London. Dividing her time between teaching and working as a prop’s assistant for Len Fulford’s commercial photography studio, near Regent Street and Carnaby Street therefore placing her at the heart of the Swinging Sixties fashion. Geraldine loved browsing London’s street markets for treasures from Brick Lane to Portabello Road, this would continue after moving to Bath in 1969 with her husband.
Lots 2240 to 2249: Collection of Vivienne Westwood Costume
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